Willow time.
Jo Chen up first.
okay, so I've read every single page of your blog. what do I do now???
Ummm … depends on what I am. Shoot me with a salt gun? Burn my bones? Stab me with the sword of Lucifer?
Feminist concern with representations of women in comic books and video games is hardly a new thing, nor is it always greeted with support—just ask Anita Sarkeesian, whose Tropes Vs Women has inspired intense backlash from territorial gamers. But as more and more women enter these previously male-dominated fields, the possibility of feminists effecting change from within the industry has, logically, skyrocketed. Take the case of Meteor Entertainment/Adhesive Games, where a female employee recently punked her boss, and with outstanding results.
Meteor Entertainment is the creator of the free-to-play mech game Hawken, in which users build their own virtual robots and use them to fight other users’ robots. But the tale of the master prank actually begins with a tumblr called The Hawkeye Initiative. …
Yesterday I met the amazing Erin Quill, an accomplished Asian-American actor who has done some great rabblerousing on whitewashing. Read more…
To give a brief background on my particular tiara and wings, my heritage is Chinese, Irish, and Welsh and I am a dual citizen of the United States and Australia. I am married to a (straight) man who was born in Korea and came to the USA when he was 8 years old. I have traveled to countries that include Turkey, Greece, Australia, Ireland, Canada, China, Japan and I plan to add Europe in general when my son is a bit older. My point is, I’m well aware of what the world looks like – would that Musical Theater looked the same. Broadway is not where one goes to find much diversity in casting.
![In 2009’s Star Trek, JJ Abrams successfully made the effort to appeal to new viewers as well as dyed-in-the-wool Trekkies. This time round, he seems to be going further afield— and alienating the original fanbase entirely.
The publicity for Into Darkness has been solidly high school: Don’t worry—it may be Star Trek, but it’s not for nerds anymore! In an interview with Jon Stewart this week, Abrams made it very clear that he’d never liked the show as a kid, because it was “too philosophical.” “I stopped listening when you said you didn’t like Star Trek,” Stewart joked. “I saw your mouth moving, so I assume you apologized.”
It’s not actually necessary for a director to be a lifelong fan if they want to make a successful adaptation. In fact, JJ Abrams’ first Star Trek movie was proof of that. But it’s another thing for an adaption to leave most of the original show’s values in the dust, which is what Into Darkness seems to be doing. The dialogue is snappy, the action sequences are fun, and the characters seem real enough, but the heart and the brain are now gone.
In 1966, Star Trek broke new ground with its international crew of hopeful explorers, scientists, and adventurers. True, the show was full of heavy-handed Cold War metaphors and casual 1960s misogyny, but its central messages were obvious: Racism is bad. Give peace a chance. That kind of thing. Men and women, Russians and Americans, aliens and humans: all could work together on a more-or-less equal footing. For many viewers, Nichelle Nichols (Lieutenant Uhura) was the first woman of color they’d seen playing anything other than a maid. Star Trek was pushing the envelope.
In 2013, not so much. Into Darkness shows more racial diversity among cameos from alien species than it does among human characters in main speaking roles. Worse still, iconic Star Trek villain Khan Noonien Singh was recast as Benedict Cumberbatch, possibly the whitest man on the planet.
In Khan’s original role, he was super-intelligent, super-strong, the head of a genetically engineered master race—and brown. In other words, the opposite of the usual racial stereotypes one saw in mid-20th century “foreign” or “exotic” villains. Whitewashing Khan into being an posh-sounding Englishman reinforces the message sent out by Kirk, Spock, and the morally ambiguous Admiral Marcus: Good or evil, everyone in power is a white male. Suddenly, the awkwardness surrounding one of John Cho’s publicity interviews makes sense. “Who is your favourite villain?” he is asked. “Ricardo Montalban,” he answers. “He was badass. And a man of color, I might add.” Nervous laughter. Next question, please.
[continue reading]
Still plan to see it, but yeah. Yeah.](http://25.media.tumblr.com/23d1f778a89c31922bb2bd6f1904ddbe/tumblr_mmyebnTnjU1qiavcao1_500.png)
In 2009’s Star Trek, JJ Abrams successfully made the effort to appeal to new viewers as well as dyed-in-the-wool Trekkies. This time round, he seems to be going further afield— and alienating the original fanbase entirely.
The publicity for Into Darkness has been solidly high school: Don’t worry—it may be Star Trek, but it’s not for nerds anymore! In an interview with Jon Stewart this week, Abrams made it very clear that he’d never liked the show as a kid, because it was “too philosophical.” “I stopped listening when you said you didn’t like Star Trek,” Stewart joked. “I saw your mouth moving, so I assume you apologized.”
It’s not actually necessary for a director to be a lifelong fan if they want to make a successful adaptation. In fact, JJ Abrams’ first Star Trek movie was proof of that. But it’s another thing for an adaption to leave most of the original show’s values in the dust, which is what Into Darkness seems to be doing. The dialogue is snappy, the action sequences are fun, and the characters seem real enough, but the heart and the brain are now gone.
In 1966, Star Trek broke new ground with its international crew of hopeful explorers, scientists, and adventurers. True, the show was full of heavy-handed Cold War metaphors and casual 1960s misogyny, but its central messages were obvious: Racism is bad. Give peace a chance. That kind of thing. Men and women, Russians and Americans, aliens and humans: all could work together on a more-or-less equal footing. For many viewers, Nichelle Nichols (Lieutenant Uhura) was the first woman of color they’d seen playing anything other than a maid. Star Trek was pushing the envelope.
In 2013, not so much. Into Darkness shows more racial diversity among cameos from alien species than it does among human characters in main speaking roles. Worse still, iconic Star Trek villain Khan Noonien Singh was recast as Benedict Cumberbatch, possibly the whitest man on the planet.
In Khan’s original role, he was super-intelligent, super-strong, the head of a genetically engineered master race—and brown. In other words, the opposite of the usual racial stereotypes one saw in mid-20th century “foreign” or “exotic” villains. Whitewashing Khan into being an posh-sounding Englishman reinforces the message sent out by Kirk, Spock, and the morally ambiguous Admiral Marcus: Good or evil, everyone in power is a white male. Suddenly, the awkwardness surrounding one of John Cho’s publicity interviews makes sense. “Who is your favourite villain?” he is asked. “Ricardo Montalban,” he answers. “He was badass. And a man of color, I might add.” Nervous laughter. Next question, please.
Still plan to see it, but yeah. Yeah.
6 Feminists Took Over a Misogynistic Facebook Page When Facebook Would Do Nothing
“When I was fairly new to feminism I was at times also shocked with how direct some of the feminists I encountered could be. I too had been taught from childhood to choose my words carefully and to not piss people off,” they wrote. “I have learned that for many men empowering women is all fine and dandy as long as you, as a woman, give them the opportunity to ignore you. This is where the ‘be nice’ indoctrination factors in. … If you are more direct in your communications you quickly get labelled ‘a bitch,’ but they don’t ignore you.”
They added, “Sometimes you need to shout from the rooftops to be heard.”
Fans of Alien movies should check out the Alien: Inhuman Condition comic book. Its by John Layman and Maxx creator and OG Sandman artist Sam Keith.
Its short, sweet, and overall pretty cool.
